Previous Promise Players Productions:

April 2013, “Snapshots and Portraits”, by Paul McCusker
November 2012, “The Old Faith, Hope, and Charity”, by Pat Cook
November 2011, “Don't Kick the Turkeys”, by Andy and Jennifer Hansen
March 2011, “Riches 2 Rags”, by Dennis and Nan Allen
November 2010, “The Role Model”, by Sandy Boikan
April 2010, “High Cotton”, by Dennis and Nan Allen
November 2009, “How to Keep the Mrs. Happy”, by Warren Sager
March 2009, “Dream House”, by Dennis and Nan Allen
November 2008, “Fathers Anonymous”, by Paul McCusker
April 2008, “Solomon”, by Dennis and Nan Allen
November 2007, “Footprints of a Pilgrim”, by Ruth Bell Graham
March 2007, “Holy Moses!”, by Bob Kolsby and Sean Hatley
November 2006, “Scenes From Love’s Café”, by Nan Allen
March 2006, “Sarah Mae and Her Kinfolk” , by Gail Blanton
November 2005, “Family Outings”, by Paul McCusker
March 2005, “Esther: The Scepter and the Star”, by Annie Schappert and Joe Weidner, Jr.
November 2004, “Don’t Kick the Turkeys”, by Andy and Jennifer Hansen
March 2004, “Lazarus”, by Joel Underwood
November 2003, “One Foot In Heaven”, by Hartzell Spence and dramatized by Anne Coulter Martens.
March 2003,  “Sarah Mae and Her Kinfolk”, by Gail Blanton
November 2002,  “Holy Smoke!”, by Margaret Stevens
March 2002, “Lifeline”, by Kevin Stone
November 2001, “Don’t Kick The Turkeys”, by Andy and Jennifer Hansen
March 2001, “Lazarus”, by Joel Underwood
November 2000, “The Dandelion House” , by Nan Allen
March 2000, “Catacombs”, by Paul McCusker.
November 1999, “Snapshots and Portraits”,  by Paul McCusker.
March 1999, "A Man Called Peter” ,written by Catherine Marshall and dramatized by John McGreevey.
November 1998, “Words by Fanny Crosby” , by Dan Neidermyer.
March 1998, “Pap’s Place” , by Paul McCusker.  
November 1997, “Welcome to the Mustard Seed Café” , by Dean Kephart.  
April 1997,“Catacombs” , by Paul McCusker.
November 1996, "Family Outings" , by Paul McCusker.
March 1996, "Cross Purposes" , by Jeff Barker.
October 1995, “Pokeweed and Mrs. Gasp and Other One-Acts With a Point-of-View” , by Anita Higman